At best, 2005’s Asylum is an indictment of the mental health system (Did we need another one?) and contains a solid performance by Natasha Richardson as the wife of an ambitious psychiatrist whose own chemical imbalances lead to a steamy romance with a sociopathic patient. Which can happen, of course, in this period of English psycho-medical history in which the need for good gardening should not prevent the loonies from roaming about the sanatorium’s estate. And adding even more realism, when the husband fails to stop the affair, he disowns and commits the wife to the same institution where the trouble started, leaving her in the care of his rival (Ian McKellen), who actually wants her to, yes, marry him while he continues to treat the object of her loony desire. Unless the opening credit “Based on the supermarket novel” excites you, you can afford to miss this one. [Of course, there is no such opening credit, and I should probably give novelist Patrick McGrath more credit. He also penned the novel upon which David Cronenberg's superbly crafted Spider (2002) is based.]
Here are this morning’s Oscar-nominated films, alphabetically. The nominees for foreign language film and documentary feature are compiled at the end of the list. (Short format nominees are listed in a 































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