The experience of Frozen River is a progressively engaging one. In the tradition of the Dardennes or David Gordon Green (pre-Pineapple Express), we are immediately and non-contextually injected into the mundane lives of ordinary people, in this case Melissa Leo’s Ray and her two sons living in a deteriorating trailer on the outskirts of a small town in upstate New York near the Canadian border. One wonders during the first few scenes how a film with an Oscar-nominated performance (for Leo) is going to build or maintain enough dramatic momentum to justify its one hour and 37 minutes of screen time. But as happens in the best examples of contemporary realist cinema, the film slowly and imperceptibly gets under your skin, such that without realizing it, you cling to the possibility of any good resulting from circumstances that seem impossibly stacked against Leo’s Ray and her unlikely cohort Lila (Misty Upham), both of whom will encounter great risk in order to maintain the smallest hope for a better life for their children.
Here are this morning’s Oscar-nominated films, alphabetically. The nominees for foreign language film and documentary feature are compiled at the end of the list. (Short format nominees are listed in a 






























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