For anyone familiar with My Fair Lady (captured on film in 1964), the musical version of Pygmalion, will be struck by just how similar the two works are. With a few exceptions, the screenplay for Pygmalion is simply My Fair Lady without the songs, some of which seem ready to just burst out of the actors at the opportune moment. Of course, when the source material is a
George Bernard Shaw play, you aren’t going to mess around with the dialogue. That dialogue is masterfully delivered in this, the definitive film version of the play in which notions of class are challenged, if not obliterated, at the hand of an incorrigible snob and curmudgeon, Henry Higgins (Leslie Howard) and his beautiful and headstrong pupil, Eliza Doolittle (Wendy Hiller). One summer, a lifetime ago, I had a role in the chorus of my community theater’s production of My Fair Lady, by which the lines of the play have likely been permanently etched into my brain. Yet like the wide eyed Freddy Eynsford-Hill (David Tree) is to Eliza, I can’t imagine growing tired of hearing those lines spoken here.
Here are this morning’s Oscar-nominated films, alphabetically. The nominees for foreign language film and documentary feature are compiled at the end of the list. (Short format nominees are listed in a 































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