One of the ideas behind Criterion’s Eclipse series is to facilitate cinematic discoveries, to introduce unknown films to, in the company’s words “adventurous home viewers.” The four film set entitled “Alexander Korda’s Private Lives” had all the makings of a discovery for me, in that I had no previous exposure to Korda, a prolific director and producer throughout the first half of the 20th century.
In the case of The Private Life of Don Juan, one of the four films in the Alexander Kora set, the fun discovery was that sarcasm was alive and well in 1934, by which supporting actor Owen Nares gets to play “Antonio Martinez, an Actor as Actors Go,” and Heather Thatcher inhabits “Anna Dora, an Actress as Actresses Go.” As actors go, Douglas Fairbanks as Don Juan is fine in his final screen role, but not really much more. Likewise, the film is fine, as film go, but not much more. This is perfectly fun and safe entertainment, without aspirations for anything else. On a lazy holiday afternoon in 2009, I’d say it fit the bill just as well as it would have a near lifetime before.
Here are this morning’s Oscar-nominated films, alphabetically. The nominees for foreign language film and documentary feature are compiled at the end of the list. (Short format nominees are listed in a 
































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